Born in Córdoba in 1791: A Childhood of Early Honours

Ángel Saavedra y Ramírez de Baquedano was born in Córdoba on 10 March 1791[7], a segundón, or younger son, which in a noble Spanish house meant the title was going to someone else and the honours were handed out early as compensation. He became a Knight of Justice of the Order of Malta at six months, a cavalry captain in the Infante's regiment at seven and a holder of the Santiago habit at nine[8]. None of it had anything to do with what he had done.
Where exactly he was born is partly a matter of civic tradition. Córdoba's tourism board names Casa Carbonell, beside the convent church of Santa Ana, as his birthplace[9]. The building there now is late-19th-century in style and houses the municipal company VIMCORSA, with temporary exhibitions in its large halls[10], so it is unlikely to be the house he knew. Access depends on what is on show, so check the current programme before detouring.
By 1800 the family had moved to Madrid, so his Córdoba childhood was short. The city would claim him anyway, and he would come back to it as a young man.

Left for dead, then a liberal deputy

At Ontígola the boy with the cavalry commission met the real thing. The French clash of 18 November 1809 was a disaster for the Spanish side, and Saavedra, then eighteen, was gravely wounded and given up for dead[1]. Córdoba had already lived through the French sack of 1808, so for a Cordoban officer the Peninsular War was never a distant affair.
Equestrian show at the Caballerizas Reales de Córdoba with Andalusian horses

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Caballerizas Reales de Córdoba

Philip II's 1568 Royal Stables, birthplace of the Andalusian horse. Evening show combining classical dressage, vaquera riding and flamenco. UNESCO heritage.

In Córdoba he befriended the liberal Antonio Alcalá Galiano, whose ideas shaped his politics, and in December 1821 the province sent him to the Cortes as a deputy[11]. The boy who had collected royal and religious honours before he could shave was now a constitutional liberal. Fourteen years separate the wound at Ontígola from his flight abroad, and the deputy's seat lasted barely two of them: within two years of his election the liberal cause in Spain had collapsed, and Saavedra was on the run.

Eleven years abroad: Gibraltar, Malta, France

He fled in 1823 and reached Gibraltar three days later in a Valencian boat, at the start of an exile that would last eleven years[5]. Malta kept him for five years, and in the spring of 1830 he moved on to the conservative France of Charles X[12]. Malta was the island of the order that had knighted him as a baby, and its harbour light gave him one of his best-known poems: El faro de Malta sets a storm at sea against the steady lamp of the lighthouse, which stands for reason amid the fury of the passions[13].
In Orléans the former cavalry captain gave painting lessons to survive[14], and in Tours he finished El moro expósito, a first prose version of Don Álvaro and a number of Romances históricos[15]. Alcalá Galiano, his friend from Córdoba, later said the plot of Don Álvaro grew out of the conversations the two of them had there[16].
Don Álvaro therefore has a Córdoba root and a foreign workshop. Its author drafted it in a French provincial town after teaching painting to eat, and he would see it staged as a grandee.

Don Álvaro, 1835: a premiere with precedents

Back in Spain, he had been home only a few months when his elder brother Juan Remigio died, apparently of apoplexy, and the younger son became Duke of Rivas, Grandee of Spain and a member of the Estamento de Próceres in the Cortes[17]. The title he had never expected arrived before the play that would carry it.
On 22 March 1835 Don Álvaro o la fuerza del sino, or Don Álvaro, or the Force of Fate, opened at the Teatro del Príncipe in Madrid[4]. It was not the first Spanish Romantic drama staged in Spain[18], and the earlier ones had been tolerated because they did not break with the past. The play belongs in any history of Spanish Romanticism, but not at its starting line.
Francesco Maria Piave based the libretto of Verdi's La forza del destino on the play[2], so anyone who has sat through that opera has met Rivas's plot without knowing it.

Ambassador, minister for two days, academy director

As ambassador in Naples from 1844 he fell for the climate and the people, and stayed six years that were among the happiest and calmest of his life[19]. His 1854 turn as president of the ministry lasted two days, after which he took refuge in the French embassy[20].
He finished as director of the Real Academia Española, elected on 20 February 1862 and in post until he died on 22 June 1865 in a Madrid palace now known as the Palacio de Viana[21][22]. Córdoba has a Palacio de Viana of its own, a different building, so keep the two apart when planning a day.
Timeline
  1. 10 March 1791

    Born in Córdoba

    Ángel Saavedra y Ramírez de Baquedano, a younger son of a noble family[7].

  2. 18 November 1809

    Left for dead at Ontígola

    Gravely wounded in a disastrous encounter with the French[1].

  3. 1823

    Flight to Gibraltar

    The start of an eleven-year exile[5].

  4. Spring 1830

    Malta to France

    Five years on Malta end; the family moves to Charles X's France[12].

  5. 22 March 1835

    Don Álvaro premieres

    Teatro del Príncipe, Madrid[4].

  6. 1854

    Two days as head of government

    He shelters in the French embassy afterwards[20].

  7. 20 February 1862

    Director of the Real Academia Española

    He holds the post until his death[21].

  8. 22 June 1865

    Dies in Madrid

    In the palace now known as the Palacio de Viana[22].

  9. 5 May 1929

    Monument inaugurated in Córdoba

    Primo de Rivera attends[6].

Finding the Duque de Rivas in Córdoba today

The monument to Ángel de Saavedra stands in the Jardines del Duque de Rivas, next to the Paseo de la Victoria[23]. Mariano Benlliure's statue[3] was inaugurated on 5 May 1929, when Miguel Primo de Rivera, who then headed the directorate governing Spain, came to Córdoba for the ceremony[6].
Benlliure chose the statue's site himself[25]. A pergola behind it, by the architect Carlos Sáenz de Santamaría[26], traces its origins to the same commission[3], so the statue and the structure behind it belong to one scheme rather than the statue being dropped into an existing garden. Stand a few steps back and read the two together.

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A short Rivas route needs only two stops:

  • The monument in the Jardines del Duque de Rivas, beside the Paseo de la Victoria
  • Casa Carbonell, beside the convent church of Santa Ana, now a municipal exhibition space[9]
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